No One Will Hinder Your Empire Ever Again

Illustration of Joseph-Noël Sylvestre's painting 'The Sack of Rome in 410 by the Vandals' with Trump and Q paraphernalia
Illustration by Nicolás Ortega; Joseph-Noël Sylvestre, The Sack of Rome in 410 by the Vandals (1890). Fine Art Images / Getty.

This article was published online on March 11, 2021.

The scenes at the Capitol on January 6 were remarkable for all sorts of reasons, only a distinctive autumn-of-Rome flavor was i of them, and it was hard to miss. Photographs of the Capitol's debris-strewn marble portico might accept been images from eons ago, at a plundered Temple of Jupiter. Some of the attackers had painted their bodies, and one wore a horned helmet. The invaders occupied the Senate chamber, where Latin inscriptions crown the east and w doorways. Commentators who remembered Cicero invoked the senatorial Catiline conspiracy. Headlines referred to the violent swarming of Capitol Colina as a "sack."

Exterior, a pandemic raged, recalling the waves of plague that periodically swept across the Roman empire. As the nation reeled, the Articulation Chiefs of Staff, in the role of a magister militum addressing the legions, issued an unprecedented advisory that put the sitting ruler on notice, condemning "sedition and coup" and noting that the inauguration of a new ruler would proceed. Amid all this came a New York Times study on the discovery and brandish of artifacts from the gardens of Caligula, an erratic and vengeful emperor, 1 of whose wives was named Milonia.

Ever since Edward Gibbon's The History of the Pass up and Fall of the Roman Empire, the prospect of a Rome-inflected apocalypse has cast its spooky spell. Britain'southward former American colonies, which declared their independence the yr Gibbon's kickoff volume was published, take been especially troubled by the parallels they discerned. The Founders feared the stealthy creep of tyranny. One-half a century afterward, the narrative progression of The Course of Empire, Thomas Cole's emblematic serial of paintings, depicted the consequences of overweening ambition and national hubris. Today, as ever, observers are on the alert for portents of the Last Days, and take been quick, like Cato, to bung warnings. And of form at that place are some Americans—including the January 6 attackers—who would find national plummet momentarily satisfying. "Sack Rome?" a barbarian wife says to her husband in an onetime New Yorker cartoon. "That'due south your reply to everything."

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The comparisons, of form, can exist facile. A Roman state of some sort lasted and so long—well over a millennium—and inverse so continuously that its history touches on any imaginable type of homo occurrence, serves upward parallels for any modern outcome, and provides contradictory answers to whatsoever question posed. Still, I am not immune to preoccupation with the Roman past. A decade and a half ago, I published a book chosen Are We Rome? The Autumn of an Empire and the Fate of America, which looked closely at the historic period-old Rome-and-America comparison. The focus was mainly on themes that transcend partisan politics, just it was also written at a particular moment, and reflected sure brute realities: The land was mired in Iraq and Afghanistan; fright and suspicion of foreigners were on the rise; and public functions of all kinds (maintaining highways, operating prisons, providing security) were existence privatized. All of this had echoes in Rome's long story.

It'south non every bit if the themes I wrote well-nigh so are obsolete. Merely they take a new context. The comparisons that come to heed now are not just about realities on the footing only about unrealities in our heads. The debasement of truth, the cruelty and moral squalor of many leaders, the corruption of basic institutions—signs of rot were proliferating well before January half-dozen, and they remain, though the horde has been repelled.

If I were writing Are Nosotros Rome? today, one new theme I'd emphasize emerges from a phrase we heard over and over during the Trump administration: "adults in the room." The bones idea—a delusion with a long history—was that an unfit and childish chief executive could exist kept in check by the seasoned advisers around him, and if not by them, then by the competent career professionals throughout the government. The administration official who anonymously published a famous op-ed in The New York Times in 2018 offered explicit reassurance: "Americans should know that there are adults in the room." Various individuals were given adult-in-the-room designation, including the White House counsel Don McGahn and Chief of Staff John Kelly. I sometimes imagined these adults, who included distinguished war machine veterans, wearing special ribbons. The obvious flaw in the arrangement was that the child could summarily dismiss the adults with an intemperate tweet.

For long periods in the late quaternary and early fifth centuries, the Roman empire was literally in the easily of children, as reigning emperors died unexpectedly and sons equally immature every bit four and 8 ascended to the virtually exalted rank. Adults in the room were appointed to serve them—often capable generals such as Stilicho (who served Honorius) and Aetius (who served Valentinian III). The thought was to acknowledge imperial authority as sacrosanct but at the same time accept people in charge who could handle the job. And often it worked, for a while. The diplomat and historian Priscus described what happened when Valentinian grew up. The emperor'southward intemperate tweet took this class:

As Aetius was explaining the finances and computing tax revenues, with a shout Valentinian all of a sudden leaped upwards from his throne and cried out that he would no longer suffer to be abused by such treacheries … While Aetius was stunned by this unexpected rage and was attempting to calm his irrational outburst, Valentinian drew his sword from his scabbard and together with Heracleius, who was conveying the cleaver ready under his cloak (for he was a head chamberlain), vicious upon him.

There is no substitute, it turns out, for bodily leadership at the top. Even so, when the adults are gone, the next line of defense is bureaucratic heroism. A civil service is one reason entities as big equally the Roman empire—or the British or American one—have had staying power. Watch the behavior of purple functionaries in the 5th century, when much of the Roman globe was falling apart, and you encounter the ability of bureaucratic procedure and administrative ability—food goes hither, gold goes there—to hold bits of the rickety scaffolding together when no one seems to exist in charge. I'g not aware of ancient references to a civitas profunda, but the "deep state" is neither a modernistic nor a malevolent invention.

Yet these behind-the-scenes efforts at preserving normalcy do eventually falter, and a 2nd new theme might be the dangers that credible continuity, including symbolic continuity, can conceal. Corrosive change—in values, behavior, infrastructure—is often hard to detect; things wait the same, until they don't. Fifty-fifty before January 6—or November 3—many worried that the outward forms of American democracy might prove more robust than the thing itself. Inaugurations lift the spirit, but among Millennials in the U.S., fewer than a third believe that information technology is "essential" to live in a democracy (this from findings reported by the political scientists Roberto Stefan Foa and Yascha Mounk). Congress has ceded authorization to the president across a wide front, preserving mainly its chapters to hinder, acclaim, and conspire. The power to declare war survives just as an artfully arranged fig leaf; it was in fact relinquished decades ago. For all that, the Capitol is still reverenced as "the people's house."

Octavian, Julius Caesar'south adopted son, made himself Rome's first emperor, ruling under the proper name Augustus. But he understood the utility of brand-believe, maintaining the fiction that he had preserved republican government. Augustus did not proclaim himself an autocrat; the championship princeps would do—the "start man." In the manner of Donald Trump'due south 1776 Project, but adroitly, he invoked the approval of ancient sentiment to muffle radical intentions. The Senate would go along coming together, enjoying what the Roman historian Tacitus called "pretenses of freedom" long after information technology ceased to play any of import role; in fact, information technology went on meeting subsequently the empire was gone. Tacitus is e'er a please:

This was a tainted, meanly obsequious age. The greatest figures had to protect their positions by subserviency; and, in addition to them, all ex-consuls, most ex-praetors, even many inferior senators competed with each other's offensively sycophantic proposals.

Class endures when substance is gone. In time, the metropolis of Rome became every bit much a fiction equally the vestiges of the old republic. Augustus adorned the capital not only with temples just also with election facilities. (And he showed upward in person to vote, though the process was a charade.) Centuries after, Rome connected to look like an imperial capital, and extract wealth like i, even after becoming an empty shell. The real action and ability had shifted elsewhere. Generals and armies roamed the provinces, responding to emergencies (and the ambitions of one some other). Rival cities rose. Simply grain shipments to Rome continued. Monuments were cherished as touchstones of enduring greatness. Distinguished families lived in splendor. Senators plotted.

A third new theme might have upward the idea of "alternative facts." The term was coined past the Trump counselor Kellyanne Conway to put a gloss on one set of lies; it soon became shorthand for all of them. The administration'south reliance on falsehood needs no belaboring. Information technology gave life to conspiracy theories, undermined faith in a national ballot, and stoked acts of insurrection. Allies on idiot box and on social media helped all of that along. The Romans had a word for such allies: panegyrists.

Social media in ancient Rome was of the quondam-fashioned kind—word of mouth. While serving overseas equally a provincial governor, Cicero designated an associate named Caelius to keep him upward-to-date virtually rumors dorsum habitation. Caelius informed Cicero that he was paying special attention to the susurratores ("whisperers"), the political gossips who lurked in the Forum. In that location were truth-tellers throughout Roman history, but every bit the centuries wore on, the telling of official lies became a recognized art form. Panegyrists were paid performers, subsidized by those they historic. The narrative arcs—about the prosperity of the empire, about success in boxing—bend toward glory. The panegyrist Mamertinus evokes the glowing nimbus of Maximian's pilus. The panegyrist Claudian describes how Honorius will make Rome great over again:

Oak groves shall drip with dear; streams of wine well up on every side, lakes of olive oil abound. No price shall be asked for fleeces dyed cherry-red, but of themselves shall the flocks abound ruddy to the astonishment of the shepherd, and in every sea the dark-green seaweed will express mirth with flashing jewels.

We will be tired of so much winning. The fulsome phrases of the panegyrists made Edward Gibbon squirm. But by empire's end, giving praise to the ruler was the dominant form of rhetoric. And to many eyes, Gibbon knew, the portrait painted past the panegyrist was synonymous with history.

I subscribe to an academic news feed that drops research about Rome into my inbox—a history-volume version of the beer-of-the-month society. Scholars engage in heated arguments near the Roman empire, merely one matter we know for certain is that it is gone. And, unlike Brexit, no ane was aware of the "cease" as it was happening. Rome was sacked, as were other cities, and armed conflict at times brought turmoil, but decay occurred over centuries, and for many the transition from i thing to another was non stark. The man life span puts blinders on perception.

Merely that same life bridge concentrates homo concerns in a useful way. Think of it as the inertia of the ordinary, a final new theme. For all the images of Roman cataclysm, the makings of a quieter set up of images sit down on a tabular array near my desk—mundane odds and ends from the aboriginal world, given to me over the years. Most of them are from majestic Rome: a dirt oil lamp, a delicate glass vase, colored marble from a villa's flooring, curved white limestone from a window's arch, a grinding stone, a writing stylus, a key in the shape of a ring, a votive figurine. And coins—a silver denarius from the reign of Marcus Aurelius, for instance, and another from the reign of his unfortunate son, Commodus.

What the antiquities correspond are not triumph and glory, simply basic homo needs—food, shelter, safety, knowledge, commerce, beauty, the life of the spirit—and the organized activities that secure them. These activities have, then far, ever survived calamity—a bridge from every past to every time to come. Human order is resilient. And tending to basic needs can be a source of aspiration. America's Constitution defined the promotion of "general welfare" and "domestic tranquility" every bit part of the land'due south very purpose.

But resilience does not prevent calamity. And beingness blindsided in slow move is the hardest fate to avoid. The historian Ramsay MacMullen in one case distilled the long arc of the Roman empire into three words—"fewer accept more"—but only the time-lapse perspective of a millennium and a half allows us to empathize such a thing with brutal clarity. The sack of Washington unfolded suddenly, in a way no i could miss. The greater dangers come in stealth.

courticechand1991.blogspot.com

Source: https://www.theatlantic.com/magazine/archive/2021/04/no-really-are-we-rome/618075/

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